Once again! thanks NCS for kind words and amazing recognition! You rule!
(26) : [Aether]
’s 2019 release [Aether] might be one of the first releases this year where I got the sense that heavy metal was having an existential crisis. Clued into them by a roundup on our site that actually had a really good lineup of bands, looking back at it, the almost random listing of band references that accompanied the description of  meant I had to check it out. If anything, it seemed guaranteed that the music might just be a complete fucking mess — which I am often completely okay with.
First off: Every song on [Aether] is written within brackets, much like the group’s name. I will be dispensing with that… now… for the sake of my sanity. Second: What makes Aether interesting is also the fact that nearly every song on here is sub-three minutes, and the few that go over barely make it. The one that does make it is “Modus_Operandi”, which might as well be a doom song in comparison to most of the industrial grinders on Aether; it goes for nearly four minutes.
Much as the near-random listing of comparisons that appeared in our roundup suggested, ‘s M.O is to throw everything at the wall, and whether it sticks or not, to have at least five backup plans to play with along the way. Songs dart and shudder about, some may be built around one real-specific and hammering groove, others start and stop whenever it seems like someone got distracted, and some feel like they’re written just to be an assault of noise.
As a whole experience Aether can be wild and wooly. It’s often one of the more fun aspects of heavy metal to have a band pick you up and throw you around like a rag doll, and much of the way Aether is written seems built to do just that. It’s hard to pick out specific songs when the whole thing feels like a neatly contained ball of chaos. This is one of those where you have to start it and let it run. I found the manic framework that work with to be an exciting change of pace from my usual death metal bludgeonings, and my industrial dork side was drawn to the band’s electronic playthings constantly weaving throughout each song.